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Arts and Education Practice Based Research Bibliography
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Last updated March 2008
Aalten, A. (1997). Performing the body, creating culture, In K. Davis (Ed.), Embodied practices: Feminist perspectives on the body. London: Sage publications. Abbs, P. (1989). Aa is for aesthetic. London: Falmer Press. Alexander, E. (Ed.) (1998). Footnotes: Six choreographers inscribe the page. Amsterdam: G+B Arts International. Allen, P. (1995). Art is a way of knowing. Boston, MA: Shambala Press. Allender, Jerome S. (1991). Imagery in teaching and learning: An autobiography of research in four world views. New York: Praeger. Angrossino, Michael, V. (2002). Babaji and me: Reflections on a fictional ethnography. In Arthur P. Bochner, & Carolyn Ellis (Eds.), Ethnographically speaking: Autoethnography, literature and aesthetics (pp.327-335). Walnut Creek, CA: Altamira Press. Bach, H. (1998). A visual narrative concerning curriculum, girls, photography, etc. Edmonton, Alberta: Qual Institute Press. Bachelard, G. (1964). The poetics of space. Translated by Maria Jolas. Boston: Beacon Press. Bagley, Carl & Cancienne, Mary Beth (Eds.). (2002). Dancing the data. New York: Peter Lang Publishing Inc. Bakhtin, M. M. (1981). The dialogic imagination. Austin, TX: University of Texas Press. Ball, M.S. & Smith, G. W.H. (1992). Analyzing visual data. Qualitative Research Methods Series, 24. London: Sage Publications. Banks, A., & Banks, S. (Eds.). (1998). Fiction & social research: By ice or fire. Walnut Creek, CA: AltaMira Press. Banks, M., & Morphy, H. (Eds.). (1997). Rethinking visual anthropology. London, UK / New Haven, CT: Yale University Press. Barone, T (2000). Aesthetics, politics, educational inquiries: Essays and examples. New York: Peter Lang. Barone, T. (1992). On the Demise of Subjectivity. Curriculum Inquiry, 22(1), 25-38. Barone, T. (2000). Aesthetics, Politics, and Educational Inquiry: Essays and Examples. New York: Peter Lang Publishing. Barone, T. (2001). Science, art, and the predisposition of educational researchers. Educational Researcher, 30(7), 24:29. Barone, T. E. (1990). Using the Narrative Text as an Occasion for Conspiracy. In E. W. Eisner & A. Peshkin (Eds.), Qualitative Inquiry in Education, (pp. 305-326). New York: Teachers College Press. Barone, T., & Eisner, E. (1997). Arts based educational research. In M. Jaeger (Ed.), Complementary methods for research in education (2nd ed.) (pp. 36 116). Washington, DC: American Educational Research Association. Barry, D. (1996). Artful inquiry: A symbolic constructivist approach to social science research. Qualitative Inquiry, 2(4), 411 438. Barthes, R. (1982). A Barthes reader. New York: Hill and Wang. Baskwill, J. (2001). Performing our research and our work: Women principals on stage. In L. Neilsen, A. L. Cole, & J. G. Knowles (Eds.), The Art of Inquiry. Halifax: Backalong Books. Becker, C. (1996). Zones of contention: Essays on art, institutions, gender, and anxiety. Albany: State University of New York Press. Becker, C. (Ed.). (1994). The subversive imagination: Artists, society and social responsibility. New York & London: Routledge. Becker, S. (1998). Visual sociology, documentary photography and photojournalism: It's (almost) all a matter of context. In J. Prosser (Ed.), Image based research: A sourcebook for qualitative researchers (pp. 84 96). London, UK: The Falmer Press. Beer, Ruth, Irwin, Rita L., Grauer, Kit, Gu Xiong, Bickel, Barbara & Springgay Stephanie. (2006). Interstitial Spaces: In-Between Research and Creation; The City of Rich Gate. InSEA World Congress 2006, 'Interdisciplinary Dialogues in Arts Education' Congress Proceedings. Viseu, Portugal, March (5 pgs). Behar, R. (1996). The vulnerable observer: Anthropology that breaks your heart. Boston, MA: Beacon Press. Behar. R., Gordon, D. A. (Eds.). (1995). Women writing culture. Berkeley, CA: University of California Press. Belliveau, George. (2006). Performed research: Exploring an anti-bullying drama project in teacher education. Creative Arts in Health, Training and Education, June 06 issue. Available at: http://www.cmclean.com/eNewsletter/06_june_enews.pdf Berridge, Alice Margaret (2006). Re-picturing my life / Tissue. Unpublished doctoral dissertation, University of Canberra, Australia. Available at: http://erl.canberra.edu.au/public/adt-AUC20070510.151236/index.html Berger, J., & Mohr, J. (1982). Another way of telling. New York, NY: Pantheon. Berleant, A. (1997). Living in the landscape. Kansas City, KN: University Press of Kansas. Berry, G., & Reinbold, J. (1985). Collective Creation. Edmonton: AADAC. Berry, K. (2000). The dramatic arts and cultural studies: Acting against the grain. New York: Falmer Press. Betterton, R. (1996). An intimate distance: Women, artists and the body. London & New York: Routledge. Bickel, Barbara (in press). Embodying exile: Performing the "curricular" body. In D. Freedman & S.Springgay (Eds.). Curriculum and the Cultural Body. NY; Peter Lang. Bickel, Barbara (in press). Who will read this body? A/r/tographic Statement. In M. Cahnmann & R.Siegesmund (Eds.). Arts-Based Inquiry in Diverse Learning Communities: Foundations for Practice. Mahway, NJ: Lawrence Erlbaum Associates. Bickel, Barbara (2006). Crossing the waterline: A ritual inquiry. In K. Keifer-Boyd & D. Smith-Shank (Eds.). Visual Culture and Gender 1(1), 86-91. Available at: http://www.emitto.net/visualculturegender Bickel, Barbara (2005). From artist to a/r/tographer; An autoethnographic ritual inquiry into writing on the body. Journal of Curriculum and Pedagogy 2(2), 8-17. Bickel, B. (2004). From artist to a/r/tographer: An autoethnographic ritual inquiry into writing on the body. Unpublished master's thesis. Vancouver, BC: The University of British Columbia. Bickel, B. & Fisher, V. (2005). Awakening the divine feminine: A Stepmother - daughter collaborative journey through art making & ritual. Journal of the Association for Research on Mothering 7(1), 52-67. Bickel, B. (in press). Writing the body/resistance/endurance: An a/r/tographical inquiry. Educational Insights. www.educationalinsights.ca Blom, L.A. and L. Chaplin. (1988). The moment of movement: Dance improvisation. Pittsburgh, PA: University of Pittsburgh Press. Blumenfeld Jones, D. S. (1995). Dance as a mode of research representation. Qualitative Inquiry, 1(4), 391 401. Boal, A. (1974). Theatre of the oppressed. London: Pluto Press. Bochner, & Carolyn Ellis (Eds.), Ethnographically speaking: Autoethnography, literature and aesthetics (pp.57-85). Walnut Creek, CA: Altamira Press. Bonner, F. Goodman, L. Allen, R. Janes, L. & King, C. (Eds.). (1995). Imaging women: Cultural representations and gender. Cambridge. UK: Polity Press. Bottorff, J. (1994) Using videotaped recordings in qualitative research. In J. M. Morse (Ed.), Critical issues in qualitative research methods (pp. 244-261). Thousand Oaks: SAGE Publications. Braden, S. (1996). Video work with communities. Anthropology in Action, 3(1). Brand, P. Z. & Korsmeyer, C. (Eds.). (1995). Feminism and tradition in aesthetics. Pennsylvania: Penn State Press. Bresler, L. (1995). A symposium on arts, knowledge, and education. Educational Theory, 45(1), 1084. Britzman, Deborah P. (2001). The arts ofinquiry. Journal of CurriculumTheorizing, 17(1), 9-26. Brown, B. (1999). Lost bodies and wild imaginations: Expressing the forbidden tales of childhood sexual abuse through artful inquiry. Unpublished doctoral thesis, U of T, Ont. Bruner, Edward, M. (Ed.) (1984). Text, play, and story: The construction and reconstruction of self and society. Washington: The American Ethnological Society. Butler, J. (1990). Performative act and gender constitution. In S. E. Case (Ed.), Performing feminisms, feminist critical theory and theatre (pp. 270-283). Baltimore Johns Hopkins University Press. Butler-Kisber, L. & Borgerson, J. (1998). Alternative Representation in Qualitative Inquiry: A student/instructor retrospective. Resources in Education, 33(11), 142. Buttignol, Margie (1998). Colouring outside the lines: Transformative experiences of creativity and teacher self(ves). Unpublished PhD thesis: OISE/University of Toronto. Buttingnol, M., Jongeward, C., Smith, D., & Thomas, S. (1999). The creative self: Researching teaching through artistic expression. In A. L. Cole & J. G. Knowles (Eds.), Researching teaching: Exploring teacher development through reflexive inquiry (pp. 98 137). Boson, MA: Allyn & Beacon. Ceglowski, D. (1997). That's a good story, but is it really research? Qualitative Inquiry, 3(2), 188 201. Chadwick, W. (1998). Mirror images, women, surrealism, and self-representation. Cambridge, Mass. and London, England: The MIT Press. Chalmers, Graeme (2004). Painting me into a corner? In Rita L. Irwin and Alex de Cosson (Eds.). In Rita L. Irwin & Alex de Cosson (Eds). A/r/tography: Rendering self through arts-based living inquiry (pp. 173-183). Vancouver, BC: Pacific Educational Press. Chaplin, E. (1994). Sociology and visual representation. London, UK: Routledge. Church, Kathryn (2002). The hard road home: Toward a polyphonic narrative of the mother-daughter relationship. In Arthur P. Bochner & Carolyn Ellis (Eds.), Ethnographically speaking: Autoethnography, literature, and aesthetics (pp. 234- 257). Walnut Creek, CA: Altamira Press. Cixous, H. & Calle Gruber, M. C. (1997). Helene Cixous rootprints: Memory and life writing. London: UK: Routledge. Cixous, H. (1998). Stigmata: Escaping texts. London & New York: Routledge. Clandinin, J. (1986). Classroom Practice. Philadelphia: The Falmer Press. Clifford, James, & Marcus, George, E. (Eds.) (1986). Writing culture: The poetics and politics of ethnography. Berkley: University of California Press. Cole, A. (2002). The art of research: Arts-informed research. University of Toronto Bulletin, 12 (16). Cole, A. L, Knowles, J. G., brown, b., & Buttignol, M. (April, 1999b). A perfect imbalance (3rd Installation in Living in paradox: A multi media representation of teacher educators' lives in context). Multimedia (paint and text on foam, balance beam / scales) three dimensional (1' 6" x 1' 0" x 6") installation presented at the Annual Meeting of the American Educational Research Association, Montreal, Quebec, Canada. Cole, A. L, Knowles, J. G., brown, b., & Buttignol, M. (April, 1999c). Wrestling differences (2nd Installation in Living in paradox: A multi media representation of teacher educators' lives in context). Multimedia (paint and crayon on canvas and plywood, projected photographic textbased images, action figures, plastic and elastic) three dimensional (4' 0" x 3' 6") installation presented at the Annual Meeting of the American Educational Research Association, Montreal, Quebec, Canada. Cole, A. L. & Knowles J. G. (2001). Lives in context: The art of life history research. Walnut Creek, California: Altamira Press. Cole, A. L., & Knowles, J. G. (2000). Researching teaching: Exploring teacher development through reflexive inquiry. New York, NY: AHyn & Bacon. Cole, A. L., & Mcintyre, M. (1998, August). Dance me to an understanding of teaching. Choreographed narrative performed at the Second International Conference of the Self study of Teacher Education Practices, Herstmonceux, England. Cole, A. L., Knowles, J. G., brown, b., & Buttignol, M. (April, 1999a). Academic altarcations (1st Installation in Living in paradox: A multi media representation of teacher educators' lives in context). Multimedia (paint on canvas, timber, electric conveyor and conveyor belt, silk cushions, found objects, academic regalia, linen cloth, silver candle holders, music / recorded voices / narrative, academic and school clothing) three dimensional (8' 0" x 8' 0" x 4' 0") installation presented at the Annual Meeting of the American Educational Research Association, Montreal, Quebec, Canada. Collier, J. & Collier, M. (Ed.). (1986). Visual anthropology: Photography as a research method. Albuquerque: University of New Mexico Press. Collier, J. (1987). Visual anthropology. New York: Holt, Rinehart and Winston. Collier, J. Jr., & Collier, M. (1986). Visual anthropology: Photographs as research method. Albuquerque, NM: University of New Mexico Press. Connelly, E. M., & Clandinin, D. J. (1988). Teachers as Curriculum Planners: Narratives of Experience. Toronto: OISE Press. Conway, J. K. (Ed.). (1992). Written by herself, autobiographies of American women: An anthology. New York: Random House. Cranny Francis, A. (1995). The body in the text. Melbourne: Melbourne University Press. Danesi, M. (1993). Vico, Metaphor, and the Origin of Language. Bloomington & Indianapolis: Indiana University Press. Darroch, V. (1982, Spring). Narrative: A range of sense for a verbal vision. Atlantis, 2: 105/113. Darroch Lozowski. (1999). The uncoded world: A poetic semiosis of the wandered. New York: Peter Lang. Darts, David. (2004). Visual culture jam: Art, pedagogy and creative resistance. Unpublished PhD dissertation, University of British Columbia, Vancouver, BC.. Davey, N. (1999). The hermeneutics of seeing. In I. Heywood and B. Sandywell (Eds.), Interpreting visual culture: Explorations in the hermeneutics of the visual (pp. 3 29). London and New York: Routledge. Davies, B. (2000). (In)scribing body/landscape relations. Walnut Creek: Altamira Press. Dayton, E. (Ed.). (1998). Art and Interpretation: An anthology of readings in aesthetics and the philosophy of art. Toronto, ON: Broadview Press. de Cosson, Alex. (Fall 2005). Oneiric Glasshouse Walking – Slideshow Exhibit.Educational Insights, 9(2). , Available: http://www.ccfi.educ.ubc.ca/publication/insights/v09n02/exhibits/artography.html de Cosson, A.F., Grauer, K., Irwin, R.L., & Kind, S. (Fall 2005). An Artist-in-Residence or A/r/tography in Praxis. Educational Insights, 9(2). , Available: http://www.ccfi.educ.ubc.ca/publication/insights/v09n02/exhibits/artography.html de Cosson, Alex F., Grauer, Kit, Irwin, Rita L., & Kind, Sylvia. (2005). Oneiric glasshouse walking. A sculpted (s)p(l)ace) found walking. An Artist-in-residence or a/r/tography in praxis. Educational Insights, 9 (2). Retrieved January 1, 2006 at: http://educationalinsights.ca/ de Cosson, Alex. (2003). (Re)searching sculpted a/r/tography: (Re)learning subverted-knowing through aporetic praxis. Doctoral Dissertation. Vancouver, BC: University of British Columbia. de Cosson, Alex. (2002). The hermeneutic dialogic: Finding patterns amid the aporia of the artist/researcher/teacher. AJER (The Alberta Journal of Educational Research), xlviii (3), article on CD-ROM insert. de Cosson, Alex. (2002). The hermeneutic dialogic: Finding patterns amidst the aporia of the artist/researcher/teacher (rewrite #10 in this context). In Rita L. Irwin and Alex de Cosson (Eds.). In Rita L. Irwin & Alex de Cosson (Eds). A/r/tography: Rendering self through arts-based living inquiry (pp. 127-153). Vancouver, BC: Pacific Educational Press. de Cosson, Alex. (2000). Following the process: Anon-modern inter(face). EducationalInsights, 6(1). See: http://www.csci.educ.ubc.ca/publication/insights/archives/v06n01/decosson.html de Cosson, Alex. (2001). Anecdotal sculpting: Learning to learn, one from another. Journal of Curriculum Theorizing, 17(4), 73-83. de Cosson, A., Wilson, S., Irwin, R.L., Adu Poku, S., Penti, P., Stephenson, W., & Springgay, S. (2003). The pedagogy of performative liberation: A multilectic inter/intrastanding. In Sahasrabudhe, P. (Ed.). The 31st InSEA World Congress Proceedings, 2002, International Conversations through Art, New York, August 19-24. (cd rom) 21 pgs. de Cosson, A., Irwin, R, L., Grauer, K., & Wilson, S. (2003). Hanging Identities: Artist’s Dancing Interruptions into Corridors of Learning. A performance/paper presented at the International Conference on Imagination and Education, Vancouver, Canada. July 16-19, 2003. Available: http://www.ierg.net/pub_conf2003.html de Cosson, Alex, Irwin, Rita L., Kind, Sylvia, & Springgay, Stephanie. (in press). Walking in wonder. In Gary Knowles, Ardra Cole, and Teresa Luciani (Eds.). The art of visual inquiry. Halifax, NS: Backalong Books. Denzin, N. (1994). The art and politics of interpretation. In Denzin, N.K., and Lincoln, Y. S. (Eds.), Handbook of qualitative research (pp. 1-17). Thousand Oaks, London, and New Delhi: Sage Publications. Denzin, N. K. (1989). Interpretive Biography. Newbury Park: Sage Publications. Diamond, C. T. P.& Mullen, C. A. (Eds.). (1999). The postmodern educator: Arts-based inquiries and teacher development. New York: Peter Lang. Dias, B. (2003a). The cleft of the clods: Masticating almodóvar (pp. 27. Available: http://www.cust.educ.ubc.ca/wsites/dias/e-books): University of British Columbia, Canada. Dias, B. (2003b). The writing of "anthropophagical route: Devouring queer theory and queer pedagogy" and cannibalizing alternatives ways of scholarly writing (pp. 55. Available: http://www.cust.educ.ubc.ca/wsites/dias/e-books/): University of British Columbia, Canada. Dias, B. (in press). Teoria queer e o ensino da cultura visual [queer theory and visual culture education}. In A. M. Barbosa (Ed.), Confluências internacionais [international confluences]. São Paulo: USP press. Dias, B. (in press). Explorando pedro almodóvar entre arte-educação multicultural, cultura visual e teoria queer [exploring pedro almodóvar among multicultural art education, visual culture and queer theory]. Imaginar - Revista da Associação de professores de expressão e comunicação visual, Dias, B. (in press). Queer theory and a/r/tographt: Intersections. Educational insights, 9(2), Dias, B., & Sinkinson, S. (in press). Film spectatorship between queer theory and feminism: Transcultural readings. International Journal of Education & the arts, 1(1). Dissanayake, Ellen. (1995). Homo aestheticus: Where art comes from and why. Seattle, University of Washington Press. Dissanayake, Ellen. (1995). What is art for? Seattle, WA: University of Washington Press. Donmoyer, R. & Yennie Donmoyer, J. (1995). Data as drama: Reflections on the use of readers theatre as a mode of qualitative data display. Qualitative Inquiry, 1(4), 402 428. Dunlop, R. (1998). Written on the body. In S. Abbey & A. O'Reilly (Eds.). Redefining motherhood: Changing identities and patterns. Toronto: Second Story Press. Dunlop, R. (1999). Boundary bay: A novel as educational research. Doctoral dissertation. University of British Columbia. Dunlop, R. (2001). Copper moon: Poem for Matthew Shepard. Journal of the Association of Research on Mothering, Vol.3 (1), Spring 2001. Dyer, R. (1993). The matter of images: Essays on representations. London: Routledge. Eisner, E. W. (1984). Can educational research inform educational practice? Phi Delta Kappan (March), 447-452. Eisner, E. W. (1991). The enlightened eye: Qualitative inquiry and the enhancement of educational practice. New York: Macmillan Publishing Company. Eisner, E. W. (1993). Forms of understanding and the future of educational research. Educational Researcher, 22(7). Eisner, E. W. (1995). What artistically crafted research can help us to understand about Schools. Educational Theory, 45(1). Eisner, E. W. (1997). The new frontier in qualitative research methodology. Qualitative Inquiry, 3(3), 259 273. Eisner, E. W. (1997). The promise and perils of alternative forms of data representation. Educational Researcher 26(6), 4 -10. Eisner, E. W. and Barone, T. (1997). Art-based educational research. In R. M. Jaeger (Ed.), Complementary methods for research in education (pp. 73-79). AERA. Washington, DC. Ellis, C. and Bochner, A. (Eds.). (1996). Composing Ethnography: Alternative Forms of Qualitative Writing. Walnut Creek. Alta Mira Press. Ellis, C. and Flaherty, M. (Eds.). (1992). Investigating Subjectivity: Research on Lived Experience. Newbury Pary: Sage. Ellis, C., & Bochner, A. P. (Eds.). (1996). Composing ethnography: Alternative forms of qualitative writing. Walnut Creek, CA: AltaMira Press. Ellsworth, E. & Whatley, M. H. (Eds.). (1990). The ideology of images in educational media: Hidden curriculums in the classroom. New York: Teachers College Press. Emme, M. (1999). Unruly research: Visuality in the academy. Canadian Review of Research in Art Education, 26(1), 34-43. Emmison, M. & Smith, P. (2000). Researching the visual: Images, objects, contexts and interactions in social and cultural inquiry. Thousand Oaks: SAGE Publications. Etter-Lewis, C. (1993). My soul is my own: Oral narratives of African American women in the professions. New York, NY: Routledge. Felman, J. (2001). Never a dull moment: teaching and the art of performance. New York & London: Routledge. Fels, L. & Stothers, L. (1996). Academic performance: between theory and praxis. In J. O'Toole & K. Donelan (Eds.), Drama, culture, and education, 255-261. Australia: IDEAS. Fels, L. (1999). In the wind clothes dance on a line: Performative inquiry, a (re)search methodology possibilities and absences within a space-moment of imagining a universe. Unpublished doctoral dissertation, University of British Columbia, Canada. Finley, S. and Knowles, G. J., (1995). "Researcher as artist/ artist as researcher" Qualitative Inquiry, 1(1), 110-142. Finley, S., Cole, A. L, Elijah, R., & Knowles, J. G. (in press). Making mindscapes: Continuing reflections of a community of researchers. Journal of Critical Inquiry into Curriculum and Instruction. Finley, S., Cole, A., & Donmoyer, R. (1998). Humor and self discovery: The lighter side of hidden curriculum in higher education and faculty work life. In A. Cole & S. Finley (Eds.), Conversations in community: Proceedings of the Second International Conference of the Self-study of Teacher Education Practices (pp. 173 177). American Educational Research Association Special Interest Group. Finley, S., Donmoyer, R., Cole, A. L., Knowles, J. G., & Yennie Donmoyer, J. (1998, April). Traveling through the cracks: Homeless youth speak out. Readers Theatre Performance at the Annual Meeting of the American Educational Research Association. Fischman, G. E. (2001). Reflections about images, visual culture, and educational research. Educational Researcher. 30(8), 28-31. Fisher, Jennifer. (1997). Relational aesthetics: Towards a haptic aesthetic. Parachute, 87, 4 11. Foster, S. L. (1996). The ballerina's phallic pointe. In S. L. Foster (Ed.), Corporealities: dancing knowledge, culture and power (pp. 1-25). New York: Routledge. Fulwiler, T. (1982). The Personal Connection: Journal Writing Across the Curriculum. In A. Young & T. Fulwiler (Eds.), Language Connections: Writing and Reality Across the Curriculum. Urbana, Il: National Council of Teachers of English. Fulwiler, T. (1987). The Journal book. (1st ed.). Portsmouth, NH: Boynton/Cook. Gablik, S. (1991). The re enchantment of art. New York: Thames and Hudson. Gablik, S. (1993). Toward an ecological self. In R. Hertz (Ed.), Theories of contemporary art (2nd ed.) (pp.301 309). New Jersey: Prentice Hall. Gablik, S. (1995). Connective aesthetics: Art after individualism. In S. Lacy (Ed.), Mapping the terrain: New genre public art (pp. 74 87). Seattle: Bay Press. Ganim, B. (1999). Art and healing: Using expressive art to heal your body mind and spirit. New York: Three Rivers Press. Garoian, C. (1999). Performing pedagogy. Albany: State University Press. Giard, M. (2000). Performative pedagogy: Writing choreographically a dance space of imaginings. Unpublished Master Thesis, University of British Columbia, Canada. Gilmore, L. (1994). The Mark of Autobiography: Postmodernism, autobiography, and genre. In K. Aschley, L Gitmore & C. Peters (Eds.), Autobiography and Postmodernism (pp. 3 21). Amherst, MA: University of Massachusetts Press. Glenbow, Vera Lemecha. (1991). The embodied viewer. Calgary: Glenbow Museum. Glesne, C. (1997). That rare feeling: Re presenting research through poetic transcription. Qualitative Inquiry, 3(2), 202 221. Goodall, H.L., Jr. (2000) Writing the new ethnography. Walnut Creek: Altamira Press.. Gouzouasis, P. & LaMonde, A. M. (2005). The use of tetrads in the analysis of arts-based media. International Journal of Education and the Arts, 6. Retrieved February 2005 from http://ijea.asu.edu/articles.html Gouzouasis, P. & Lee, K. V. (2002). Do you hear what I hear? Musicians composing the truth. Teacher Education Quarterly, 29 (4), 125-141. Gouzouasis, P. & Lee, K. V. (in press, 2005). Sticky Knot Danish. Arts-informed Inquiry Series: Creating Scholartistry: Imagining the Arts-informed Thesis or Dissertation. Eds. J. G. Knowles, A. L. Cole, L. Neilsen & S. Promislow. Halifax, NS: Backalong Books Gouzouasis, P. & Leigh, B. (2002). Shall we dance? Researching the way we match student teachers with school advisors. Teacher Inquiry: Living the research in everyday practice. Eds. T. Clarke & G. Erickson, 38-47. London: RoutledgeFalmer. Grauer, K. & Irwin, R. L. (Eds.). (2005). StARTing with ... (second edition). Kingston, Ontario: Canadian Society for Education through Art. Gray, R.E., Ivonoffski, V., & Sinding, C. (in press). Making a mess and spreading it around: Articulation of a model for research-based drama. In A. Bochner & C. Ellis (Eds.), Recomposing ethnography: Autoethnography, literature, and aesthetics. Walnut Creek, CA: Altamira Press. Gray, R.E., Sinding, C., Ivonoffski, V., Fitch, M., Hampson, A., & Greenberg, M. (2000). The use of research-based theatre in a project related to metastatic breast cancer. Health Expectations, 3, 137-144. Gray, Rose, E., Ivonoffski, Vrenia, & Sinding, Christina. (2002). Making a mess and spreading it around: Articulation of an approach to research-based theatre. In Arthur P. Bochner, Arthur, P., Ellis, Carolyn, (Eds.), (2002). Ethnographically speaking: Autoethnography, literature and aesthetics. Walnut Creek, CA: Altamira Press. Greene, M. (1978). Landscapes of learning. New York and London: Teachers College Press. Greene, M. (1995). Releasing the imagination: Essays on education, the arts, and social change. San Francisco: Jossey-Bass Publishers. Greene, Maxine. (2001). Variations on a blue guitar: The Lincoln Center Institute lectures on aesthetic education, New York: Teachers College Press. Grumet, M. (1978). Curriculum as theater: Merely players. Curriculum Inquiry, 8(1), 37-64. Grumet, M. (1991). The politics of personal knowledge. In C. Witherall & N. 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Teaching Education, x(x), xx xx. Van Leewent, T. & Jewitt, C. (2001). Handbook of visual analysis. London: Sage. van Manen, M. (1990). Researching lived experience: Human science for an action sensitive pedagogy. London, Ontario: The Althouse Press. Vernon, (1979). Poetry and the body. Urbana, Chicago, London: University of Illinois Press. Wagner, B. J. (1976). Dorothy Heathcote: Drama as a Learning Medium. Washington: National Education Association. Wagner, J. (1979). Images of information: Still photography in the social; sciences. Beverly Hills: SAGE Publications. Walker, R. (1993). Finding a silent voice for the researcher: Using photographs in evaluation and research. In M. Schratz (Ed.), Qualitative voices in educational research (pp. 72-92). Washington: The Falmer Press. Watrin, R. (1999). Art as research. Canadian Review of Art Education, 26(2), 92 100. Weber, S. J. & Mitchell, C. (1996). Drawing ourselves into teaching: Studying the images that shape and distort teacher education. Teaching and Teacher Education: An International Journal of Research and Studies, 12(3), 303-313. Weber, S. J. & Mitchell, C. A. (In Progress). Self-study represented through performance and artistic media. In J. Loughran, M. Hamilton, V. LaBoskey, & T. Russell (Eds.), International handbook of self-study of teaching and teacher education practices. Kluwer Press. Weber, S., & Mitchell, C. (1995). 'That's funny, you don't look like a teacher': Interrogating images and identity in popular culture. London: Falmer Press. Weiser, J. (1999). Phototherapy Techniques: Exploring the secrets of personal snapshots and family albums. Vancouver: Phototherapy Centre. West, N.M. (2000). Kodak and the lens of nostalgia. Charlottesville & London: University Press of Virginia. Wilhelm, J.D. and Edmiston, B. (1998). Imagining to learn: Inquiry, ethics, and integration through drama. Portsmouth, NH: Heinemann Educational Books. Wilson, S., Stephenson, W., Springgay, S., Irwin, R.L., de Cosson, A. & Adu Poku, S. (2002). Performative liberation: A multilectic inter/intrastanding of pedagogy. In T. Poetter, C. Haerr, M. Hayes, C. Higgins & K. Wilson Baptist (Eds.), In(Ex)clusion (Re)Visioning the Democratic Ideal (Papers from the 2nd Curriculum and Pedagogy Group's Annual Conference, University of Victoria, BC, October 2001. (13 webpages). Troy, NY: Educator's International Press. See: http://education.wsu.edu/journal Wilson, Sylvia. (2000). Fragments: An art-based narrative inquiry. Unpublished Masters Thesis. The University of British Columbia. Wilson, S. (2004). Fragments: Life writing in image and text. In Rita L. Irwin and Alex de Cosson (Eds.). In Rita L. Irwin & Alex de Cosson (Eds). A/r/tography: Rendering self through arts-based living inquiry (pp. 41-59). Vancouver, BC: Pacific Educational Press. Winterson, J. (1995). Art objects: Essays on ecstasy and effrontery. London: Random House. Ziller, R. C. (1990). Photographing the self: Methods for personal orientations. Newbury Park, CA: Sage. Special Arts based themed journal issues and on-line publications: Alberta Journal of Educational Research, ajer. xlviii (3), Fall 2002. Qualitative Inquiry, 9 (2), 2003. Curriculum Inquiry, 32 (2), 2002. and 32 (3). Teacher Education Quarterly, Fall 2002, 29 (4). Journal of Curriculum and Pedagogy will continue to have an arts based themed section. http://www.coe.tamu.edu/candp There are a number of arts based papers at the e-journal Educational Insights at UBC. http://www.csci.educ.ubc.ca/publication/insights/ |
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Background photo: Philippe Raphanel |
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