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To be engaged in the practice of a/r/tography means to inquire in the world

through an ongoing process of art making in any artform and writing not separate or

illustrative of each other but interconnected and woven through each other

to create additional and/or enhanced meanings. A/r/tographical work is

rendered through the methodological concepts of contiguity, living inquiry,

openings, metaphor/metonymy, reverberations and excess which are enacted and

presented/performed when a relational aesthetic inquiry condition is

envisioned as embodied understandings and exchanges between art and text,

and between and among the broadly conceived identities of

artist/researcher/teacher. A/r/tography is inherently about self as

artist/researcher/teacher yet it is also social when groups or communities

of a/r/tographers come together to engage in shared inquiries, act as

critical friends, articulate an evolution of research questions, and present

their collective evocative/provocative works to others.


Rita L. Irwin